Japan's Sparky Quano's progressive guitar works of "Pigs Might Fly" & "Phenomenon", offer the genre aficionado a plethora of innovative & creatively unique stylings

In the cut ""Sparks Fly Upward" , one perceives an almost Native American rhythmic quality in the intro. Followed by a vibrant melodic electric free form guitar signature , that riffs above & below the root foundation. Atonal at times , yet reverting back to it's main theme , making for a driving electronic pulse that takes on a majestic air

The title track of "Phenomenon" in it's acoustic format augmented by digital delay , hearkens back to the works of Robert Fripp & early King Crimson via Larks Toungues In Aspic & the latter Discipline period

In a sonic shift to a more metallic & atonal side , "Black Hole" exudes the avant garde quality that at times permeates Sparky Quano's work

The flip side of the hard core , is showcased in the 'Pigs Might Fly" project. Its acoustic guitar based forays are more introspective & melodically ethereal in construction

Sparky Quano has a singular vision which is intrinsic to his material ; His progressive nature expands upon this musical base & leaves one guessing where his next audio journey will lead us to

Sparky's deliberate Low-Fi approach would nicely fit into an enhanced future direction. But who could say if the production could contain his unorthodox ideas , except Sparky Quano himself…