Jangli Jaggas manifest out of the atmospheric night of shadows to bring an unorthodox hybrid mixture of metal that incorporate elements of diversity in shivers of lightning darkness. Traces of gothic & medieval influences meld with baroque & ominous overtones of metal variant speeds & dynamics

Composer, arranger, performer & band leader Nasir Tajuddin from Pakistan & cohort Rickard Slotte conjure up this thematic blend of melodious-fantasy-metal by utilizing sampling technology in their compositions; As referenced in the terminology of "trackers"

Jangli Jaggas music at times harken to orchestral sound tracks in a metal vein that cross pollinate with cathedral pipe organs, string movements & harpsichord; Half step progressions at times yield to time signature changes & relentless driving beats that rock to depart from one area of a song & segue to another

Shifting design in Jangli Jaggas compositions sometimes lead to interludes of melodic beauty tinged with a somewhat softer ambiance whilst waiting to catapult into epic thunderous pinnacles

In songs such as "Aurora Borealis" & "Angels Of The Night" we see this transformation from the darker side of brooding to other areas of sonic unveiling

Songs such as "Vampire Dance" with it's harpsichord movements & the audio histrionics of cuts such as "Aura Demonic" showcase the sweeping ,scenic & relentless drive of hard edged guitar work which is a constant trademark & integral component of Jangli Jaggas

The motivational inspiration of Nasir Tajudden is as unconventional as is his compositional approach. The imagery & thematic content of Jangli Jaggas is a rush of shadows & musical contours that portray a fascination with the gestalt areas of the human mind & the inner reaches & outer limits of sonic confrontation & resolve in the ever revolving windmill of the unknown reaches of the soul & his muse