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“Hold On”
further accelerates the colorful Mosaic via George Harrison underpinnings,
replete with chorus catching Major-Minor riffs in structural alignment,
with some suspended 2nds & 4ths thrown in for good measure In “Love Is
Dead”, Mr. Marriott weaves a pattern of warm & wondrous alienation ;
How’s that for an oxymoron. Tony Marriott’s downward spiral ambiance
is not one that is influenced by depression per say, but more deeply
rooted in a world weariness & dissolution, that somehow sounds rather
ethereal & beatific in its manifestation “Crackbird”
with its plaintive Acoustic Guitar, reflects a somber yet melodic mood
via fellow Canadian, Neil Young. Yet Tony Marriott parlays this song
into a White Album Beatles era wonderment, as David Crosby stands by
on the periphery Mr. Marriott’s
form of musical expression is highly melodic & introspective. In addition
to the audio-aura of a gorgeous sunset lowering into the meridian ;
Simultaneously Tony takes the audiophile transversing into a silver
moon of haunting & ghostly beauty This Canadian’s
muse is rather enigmatic & the deeper ones navigates, the magnetic power
of Mr. Marriott’s music is like a moth to the flame ; As darkness is
dissipated by light, so does Tony Marriott’s muse, attract all that
cross its path of metamorphosis |
Canada’s
Tony Marriott conjures up “Looking For Dorian”, amidst a brew of phased
Electric Guitars & Major-Seventh chord configurations ; Spinning into
a psychedelic prototype pastel-color-wash of early era Pink Floyd nebulous
melancholy ; Easily sitting alongside a Coldplay Vox & mood 
